Azam Ravadrad; Baharak Mahmoodi
Abstract
This paper aims to study the imagination of Tehran through 1340s and 1350s Iranian cinema and the main question is that what kind of representation on city was fueled by cinema. This study was conducted based on analysis of four impressive films in these two decades. Two of them are popular ...
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This paper aims to study the imagination of Tehran through 1340s and 1350s Iranian cinema and the main question is that what kind of representation on city was fueled by cinema. This study was conducted based on analysis of four impressive films in these two decades. Two of them are popular movies (Ganje Gharoon and Khater Khah) and the two other (Khesht-o Ayeni and Ragbar) are related to avantgarde cinema. Although they are different in presenting the city in some aspects, the results reveal that both approaches emphasise on the negative aspects of the city and expose latent contradictions in the extreme way.
Azam Ravadrad; Baharak mahmoodi
Abstract
Tehran as a symbol of Iranian modernity has been considered in many Iranian fiction films. Representation of Tehran in cinema can be the representation of Iranian modernity revolution. This study focuses on the representation of urban image in Iranian fiction films through critical theories such as Simmel ...
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Tehran as a symbol of Iranian modernity has been considered in many Iranian fiction films. Representation of Tehran in cinema can be the representation of Iranian modernity revolution. This study focuses on the representation of urban image in Iranian fiction films through critical theories such as Simmel or Benjamin opinions. In this article we discus about the mediator role of cinema for representing the Urban life Image and confliction of modernity in Iran.Meanwhile some megalopolis such as Paris, Berlin, Moscow, New York and sanpitersboorg est.…have had great opportunity for understanding confliction of modernity in their situation, Tehran has never have that chance. Regarding to this vacuum we want to explain the role of Iranian fiction films for understanding the entrance of modernity consequences in different eras. We believed that fiction films can represent confliction of city and village, represent of modern dualities, non cohesive rationality and many other gaps in Iranian modernity that we have to know.
